ASK DR. BOLI.
Dear Dr. Boli: I read somewhere, maybe in a magazine or a blog or on the back of a cereal box, that all the stories in the world use basically the same small set of character types, just giving them different details and stuff. Is that true? —Sincerely, J. K. Rowling, Fortress of Impenetrable Smugness, Edinburgh or Possibly Kensington.
Dear Madam: Yes, it is true that, among the stories that have circulated in every culture since time immemorial, and possibly even before that, anthropologists and cultural historians have identified a small number of recurring character types, which they designate the Light Masculine, Light Feminine, Dark Masculine, and Dark Feminine. Because the characters are supposedly demonstrated in an exceptionally pure form in a certain mid-twentieth-century comic-book series (with which Dr. Boli regrets to say he is not as familiar as he ought to be), these characters are known in academic literary criticism as the Archie Types.
SONG.
To be sung by a tenor in his best imitation of Caruso.
Isabella!
Isabella!
In the whole wide world there isn’t any swella!
Isabella!
Isabella!
Ev’rybody tells me I’m a lucky fella!
Isabella!
Isabella!
With your kiss so sweet my teeth are turning yella—
Though my dental bills are high,
You can see the reason why,
Isabella! You’re the one for me!
BASTILLE DAY.

A house in Pittsburgh flies the French flag.
ASK DR. BOLI.
Anton Chekhov, who died at the age of 44 of a totally hilarious case of consumption.
Dear Dr. Boli: Why do Chekhov’s “comedies” always end with a suicide? I mean… ha ha? —Sincerely, Amberson P. Scrawl, theater critic for the Dispatch.
Dear Sir: Some people think a fat man falling down is funny. Some people think a society matron getting hit in the face with a custard pie is funny. Chekhov laughed and laughed every time someone went into a dark room and shot himself. “De gustibus, aut bene, aut nihil,” as some guy once said.
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