HOW TO WRITE.

1. Assume an attitude of determination by clenching the fists. Imitating the physical manifestation of a mental state often causes that mental state. (Refer to the psychological writings of William James to see how this works.)

2. Carefully consider all the things that could possibly go wrong before you begin to write. Do not neglect the astronomical, such as asteroid impacts, etc.

3. Check to see whether you remembered to procure a sheet of paper or other writing surface. If not, you probably should have put that on the list of things that could go wrong in step 2.

4. Count your fingers. Report any deficiencies to the proper authorities. Early detection is essential.

5. Roll up your sleeves and get to work. But first, now that your sleeves are rolled up, what is that curious blotchy patch on the inside of your elbow? Perhaps you should see a dermatologist.

6. Write, using proper spelling and grammar. Editors are likely to be so favorably impressed by proper spelling and grammar that they will accept your submission even if it is otherwise hysterical pro-Nazi propaganda.

Comments

  1. heloise says:

    In step 2, is “use of a hackneyed theme” one of the things that could go wrong?

    • Belfry Bat says:

      I suppose, though as long as you don’t yourself hac the theme’s kneyes, it should turn out all right.

  2. tom says:

    What step does the four slugs of bourbon come in?

  3. Belfry Bat says:

    This manual obviously predates the advanced Wodehouse method.

  4. KevinT says:

    It appears as though a smug countenance is essential in every step. That must be the key to successful writing.

    • Dr. Boli says:

      Without smugness, there would be no writing. It is a necessary prerequisite: if you are a writer, you must earnestly believe that others want and need to hear what you have to say. If that is not the very definition of smugness, it is at least the canonical example.

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